I much admire Lucas Klein’s scholarship and translations; his “A Dissonance of Discourses: Literary Theory, Ideology, and Translation in Mo Yan and Chinese Literary Studies” in Comparative Literature Studies (vol. 53.1, 2016, pp. 170-197) is erudite, sensitive, and enlightening. It reminds, me, though, of the problem that arises when there are different editions of the […]
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